Ceramic 27 - Janets Plate

  

Lady Elizabet Hunters device as interpreted by Countess Constanzia.

I've been thinking about this one for a long time. Janet (Elizabet) has been kind enough to make me some lovely silk banners with my device and the college device. Then, for November Crown, she made me a rather smashing pennant with the Kingdom populace device, the College of St Monicas Device, the household badger and my device. So I'm been keeping her in the back of my mind when I research designs trying to come up with something appropriate so I can thank her in kind. It's been a challenge because her device is argent, a domestic cat passant to sinister sable and a base gules. There aren't many 'good' cats on extant ceramics that I've found so far. I quite like this one, very catty, or leopardy I guess, but it doesn't fit her persona.

 

Bowl, Selijuk, Persian. Early 13th C. Black pigment under translucent alkaline glaze. Accession number: 65.231. Museum of Fine Arts, Boston.

I finally settled on the one below. I've had it in mind for a while. Lady Alliette originally linked it to facebook while I was researching Spanish plates. As you can see the background decoration is very similar to Mirriams serving platter which is convenient given they're in the same household. I was initially reluctant to paint this design because the cat itself is too pointy for my taste. Then I realised, that the aim of this plate was not to reproduce an extant sample, but to make something in a medieval style for a modern day use. So I adapted it a little.

 

Dish featuring a Cat. 1400-1450, Spanish, Manises. Tin Glazed Earthernware. 34.6x5.5cm.  Accession number 56.171.115, Metropolitian Museum of Art.

Adaptions: In keeping with Elizabets device, I have flipped the cat to sinister and painted the bottom third of the plate in red. I have retained the decorative elements (originally in lustre on the extant piece) and used them to tie the whole plate together. I have also adapted the cat from the pointy, toothy one above to something closer to the interpretation of her device that she likes best. I've retained the long legs but made the cat appear more fluffed up and protective which I think fits Elizabet better. Hopefully she'll use this one for many years before accidentally breaking it at a feast one night.

 

The finished plate.

Scribes guild application - exemplar

For something different I thought I'd attend a newbies activity day organised by the local representative of the Lochac Scribes Guild. I've been interested in illumination ever since I dated Master Piers of Malmsbery who made the most beautiful scrolls. He'd spend hours upon hours planning layout and themes and each one was lovingly crafted for the individual. So having tried some rough attempts myself, I thought I'd get some expert direction. So I went along to MrD's house (I can't spell his SCA name - sorry) and he gave me some ideas on the finer points of gouche. He also informed me that I could make AoA scrolls for people if I submitted an exemplar to the college and it was deemed acceptable. I got really excited because Piers' Laurel scroll is still available for assignment and if I can make it awesome enough, I think it'd be lovely to give it to him if I can lure him to court one day.

Anyway, I present my exemplar. It's been styled after the Macclesfield Alphabet Book. It is similar to my previous attempt which was done with acrylics. I have added some things and remove the berries and tried to stay true to the colour scheme. I have sort of failed in one way because the original colour scheme has two red pallets, one fading to an orange and one fading to a pink. Ah well, I still think it is vastly superior to any of the attempts I have made with acrylic thus far. I'd hope someone would be happy to have something like this on their wall as their AoA.