Samplers from Victoria and Albert Museum
Clare Browne and Jennifer Wearden
ISBN 10: 1851772901
This is a beautifully presented book
showcases embroidery samplers listed chronologically from the 14th century
to the 19th century. It contains 112 coloured images of embroidery
and lacework from a variety of cultures (from English to Moroccan). A number of
inserts showing additional details are included. The predominant stitches in
each piece is listed in the index as is the museum accession number so
interested parties can check the V&A website for additional images. In many cases, the images in this book are clearer than those available on the website. The
authors introduction includes a brief but concise history of sampler work,
highlighting some of the more interesting pieces in this collection. The back
of this book includes a stitches and techniques section which examines all of
the different techniques utilised in the samplers. The glossery also has some
great black and white images showing how each stitch can be achieved. This book
is a great inspiration and anyone interested in creating their own decorative
embroidery work should purchase it. Only 45% relevant as SCA documentation.
3/5
Plate 3:. Linen embroidered with silk (like most of the samplers in this book). English, 1598.
From the V&A website regarding this example (information not available in the book):
This is the earliest
dated British sampler to have survived, and its inscription commemorates
the birth of a child, Alice Lee, two years earlier. Its maker, Jane
Bostocke, who is known to have been a cousin of Alice's and was buried
in the village where she lived, may have lived in the Lee family
household. The motifs at the top of the sampler relate to their family
crests. The sampler is from a period of transition in the practical use
of such items - between the 16th century and earlier, when they served
as a reference piece for a more or less experienced embroiderer, and
what gradually became their nature in the 17th century: a method of
measuring and recording the maker's skill.
The embroidery is worked in cross stitch and back stitch but there
are examples of work in more complicated stitches showing that the back
stitch was intended to be a grounding for further elaboration. Other
stitches include satin, chain, ladder, buttonhole and detached
buttonhole filling, couching in patterns, coral, speckling, two-side
Italian cross, bullion and French knots and beadwork.
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