Tile 5
It's
getting harder and harder to find good crosses. I tried three different
ones for this tile. One of them was a rather floral, skinny cross. I
started with a solid background and carved the flowers into it. It
really didn't work well. The original was too skinny and I couldn't
reproduce the dimensions, even after removing one of the flowers. I
guess I was right to avoid animals and such figures. Upon investigation,
the tile is Tamurid not what I'm looking for
So I painted over it and carved a more swirly pattern (below). I've only managed to find one, not very good at all, image of this cross and had to extrapolate. I'm rather happy with how it turned out but as the glaze was so thick, this tile has a texture to it.
So I painted over it and carved a more swirly pattern (below). I've only managed to find one, not very good at all, image of this cross and had to extrapolate. I'm rather happy with how it turned out but as the glaze was so thick, this tile has a texture to it.
Cross
tile from the mausoleum of Imamzada Yahya in Veramin near Tehran. Part
of a panel of glazed lustre-ware tiles. State Hermitage Museum. Inv. nos
IR 1026-1062. 1097 - 1118.
The
other cross on this tile is also a new one. The cross in the image
below on the left is the one I used. It's in the Louvre as a panel. The
image in the Louvre is small, but there's a good collection of
representative images of different regions and art styles at the Walter
Chapin Simpson Centre for Humanities.
Details of panel made of individual tiles.
Iran, Kashan, 1267 CE/665 AH. Fritware, overglaze lustre with color
splashes. The panel if from the tomb of imamazade Djafar at Damghan. Inv. no.: OA 6319. Website (photo shows whole panel). Individual panels can be found here.
It saddens me that so many tiles have been pillaged from the Imamzada Yahya mausoleum.
It's good that they are ending up in museums so internet hobbiests like
me can appreciate them, but I really think they should have stayed on
the mausoleum. I'm feeling particularly annoyed by it at the moment
because there's a whole bunch of tiles in Shangri La, Honolulu, a rich
woman's beautiful home. There are no good close up images but there's
treasure upon treasure there, all hoarded away. It's like taking fossils
from the rocks - these are things that will never occur again. They
should be left for others to appreciate rather than squirreled away by
people who have more resources than sense.
Tile 5. First of the second line.
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